dimanche, 22 mars 2020
5, avenue du Rock'n'Roll, Esch, Alzette Luxembourg L-4361
Prix: 24,00€ + 2,40€ presale fee
Horaires: Doors: 19:00 Show: 20:00
Organized by Rockhal
The concert of SCARLXRD originally scheduled for the 22nd of March is cancelled. There will be no new date for this concert. Ticket holders will be refunded at their respective points of sale. Tickets purchased online at rockhal.lu will automatically be refunded.
Creating a culture that causes Gen Z hysteria is no easy feat, but SCARLXRD is a master at breaking those kind of boundaries. At the age of 25, the Wolverhampton-born artist has amassed a following most underground hip-hop stars would dream of: 1.7 million Instagram followers, a slew of sold out shows and a million-or-more-strong legion of fans who religiously stream his music online. His trick? To reject the current blueprint and forge another path; one few people in rap have dared to tread so far.
His art is purposely affronting, and yet liberating to a crowd of fans who resonate with his incendiary perspective on life, brotherhood, and solitude. Laced with lewd samples, his songs offer up a headrush of grinding, scuffed trap beats that could bring down whole housing estates with the right level of decibels. When it comes to his rhymes too, the overdone tropes of rap flows are nowhere to be heard. Instead, SCARLXRD possesses a singular kind of chaotic and furious energy: he screams his self-penned lyrics, like a creative outlet cum personal exorcism.
By doing what he does so relentlessly – fusing genres, filling venues and funnelling the sombre, fucked up mood of a generation through his music – SCARLXRD has established himself as a true original. Pioneers are hard to come by, but in a sea of money-chasing hip-hop stars with their eyes on taking someone else’s crown, it’s rare to see someone running off-piste towards a different goal altogether. “I don’t think there’s going to be another SCARLXRD while SCARLXRD exists,” he says, his words prolific. “I’ll firmly have the torch. I’m the one with the story.”
And he’s right: no matter how many copycats and homages come later, we never forget the number one.